By Renaud Camus
L'intervention d'artistes, peintres, sculpteurs, vidéastes et plasticiens divers dans chacune des stations du métro de Toulouse est une des «commandes publiques» les plus importantes, cohérentes, conséquentes et même exhaustives dont ville du monde ait été le théâtre en les dernières décennies. Dans ce livre qui est lui-même une commande publique, Renaud Camus s'interroge sur les possibilités et les stipulations de pertinence artistique et sociale de pareille entreprise dans une société telle que l. a. nôtre.
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Additional info for Commande publique
And if it occurs that you must disengage in order to stringer on the inside, you will, in this disengage, carry your right foot forward, bending your body toward your right side, carrying your left hand near to your right, and passing then with your left foot, you will strike him with a thrust in the breast in fourth; and having to disengage in order to stringer on the outside, one will in a similar manner carry the right foot forward with a bending of the body to your left side, and passing with the left foot, wound in second to the chest.
Then C would have parried the enemy’s sword with the false or the true edge to the outside, giving him a mandritto to the face or an imbroccata to the chest and then he would return to a low fourth. 35 Single Rapier - Plate 8 Figures that demonstrate how much measure is lost by attacking the leg. C having gained the sword of D, this same C turns a riverso to the leg of the figure noted as D. During the attack of the riverso, D is able to make a stramazzone to the arm or a thrust to the face as a result of it being tipped too far forward.
Always, I say, that when D was stringering C, had C been clever, he would have given a riverso to the face followed by a mandritto fendente to the head and thus he would have been safer. 36 Single Rapier - Plate 9 A figure that attacks in a passata while the adversary disengages in order to wound. Figure D having gained the sword on the inside of the figure noted as C, the same C disengages to give a stocatta to the face of D. D attacks him to the face in second with a passing step making a grip with the left hand at the same time of the hilt of the enemy’s sword.
Commande publique by Renaud Camus